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Erin is currently choreographing the TeenStage production of Jesus Christ Superstar at Berkeley Playhouse!
A powerhouse rock opera of revolutionary proportions! Andrew Lloyd Webber's thrilling rock opera is told entirely through song and explores the relationships and struggles between key biblical figures—Judas, Mary Magdalene, Jesus Christ, his disciples, and followers—while recounting the final days of Jesus' life.
Upcoming: Erin will be a choreographer for Broadway Bares SF!
Broadway Bares burst onto the stage in 1992 with the vision of supporting those affected by HIV/AIDS through art. Conceived by legendary director and choreographer Jerry Mitchell, the event sparks joy by crafting awe-inspiring shows while making significant contributions to our community.
In 2016, Broadway Bares expanded its horizons from NYC and planted roots in San Francisco. Since then, each year Broadway Bares San Francisco performs to sell-out crowds while raising funds for HIV/AIDS services, hunger programs, and programs that serve and support homeless youth
.A night of dazzling performances and jaw-dropping talent at 1015 Folsom. San Francisco will receive a spectacular show that combines the magic of Broadway with the allure of burlesque. Our talented performers bring witchy, magical moments to life on stage, creating an unforgettable experience for all.
Upcoming: Erin will be choreographer for Spring Awakening at All About Theatre!
Book and lyrics by Steven Sater, music by Duncan Sheik. Spring Awakening is an eight time Tony Award winning musical that was adapted from Frank Wedekind’s late 1891 play “Frühlings Erwachen,” which translates to “A Children’s Tragedy.” Wedekind’s work challenged German society to the point of the play being considered scandalous, outright obscene, and ultimately banned. Wedekind refused to be silenced and decided to publish the play himself in 1891. It received its first fully staged German production in 1906 and its English translated American production in 1917. Fast forward about 100 years from Wedekind’s original piece, the play has been reinterpreted as a musical with the same setting as the original but it is juxtaposed by contemporary pop/rock music sung by the teenage characters as a way to call out to be heard.
This show was conceived by Sater and Sheik as a way to touch the hearts of troubled teens following the Columbine school shooting in 2001. The choice to make the music of this show completely contemporary was a way to assure the music would be “relevant to the culture at large,” as often stated in interviews by both writers. The musical is orchestrated for a modern rock band accompanied by a small string section. Contextually, they provide a pop/rock sound with hints of 20th century classical music influence.